BEO - Basque Film Series

The controversy engendered by Julio Medem's Basque Ball: The Skin Against the Stone is only the latest bout in a struggle to represent and explore Basque identity on film. Early travelogues celebrated a unique landscape and heritage that had bred an indomitable race, and this Romantic notion of a historically, linguistically and culturally isolated nation in mainland Europe, with provinces spilling either side of the Pyrenees, would also charm foreign writers and film-makers such as Orson Welles.

However, following the Spanish Civil War (1936-39), hagiography was countered by the oppressive policies and tactics of Franco's dictatorship (1939-75), which forbade the right of assembly and the use of the Basque language of Euskera, and drove dissenters into private film clubs that were a cover for political debate. Consequently, the union of political thought and action with film theory and practice propagated a forceful faith in documentary films as instruments of record and propaganda.

Meanwhile, the distinctive delights of Basque hospitality led to the establishment of the San Sebastian Film Festival in 1953, and various short film and documentary festivals followed. Basque documentarists sought to express the contrast and discord that defined their relationship with the centralized Francoist film industry and, though deprived of Euskera, their juxtaposition of sounds and images created an equivalent language of conflict that culminated in the introspective Ama Lur (1968). Made in the same year that saw an escalation in the violence that has overshadowed the development of the modern Basque Country, Ama Lur inspired many, both politically and artistically, to the extent that, following the end of the dictatorship, the first autonomous Basque government promptly dedicated 5% of its entire budget to the task of nation-building through revival of the indigenous film industry.

Many period epics followed, made by film-makers who took advantage of generous subsidies, and new production companies emerged. The Ikuska documentary series made by Bertan Filmeak provided apprenticeships for such as Imanol Uribe, whose progression through documentary, re-enactment and fiction dominated, influenced - and arguably skewed too much towards terrorism - the cinematic representation of the Basque Country. Other takes on Basque social themes and concerns, such as drug abuse and urban alienation, suggest the universal nature of these problems; but optimism, though rare, is not withheld.

Rob Stone

British Film Institute


Vacas	Segovia Breakout	Yoyes

Next Movie

When life repeats itself, we'll do anything to change our destiny. We'll toil and sacrifice for our families, without asking the cost to our children. To support his family in the Basque Country, Joaquin must herd sheep alone in America. Burning suns and blistering winds have made him a quiet, distant man. When his son joins him herding, years of separation and sacrifice come to a head. Together, they must battle the mountains, isolation, and each other.

The first American-made Basque-language film, Zuretzako is based on the life of filmmaker and Princess Grace Award-Winner Javi Zubizarreta's own grandfather. Starring Zubizarreta's father and brother in the title roles, Zuretzako tells the story of the sacrifices that fathers make and the toll they take on their sons.

Director Javi Zubizarreta will be on hand to present his film.

2011, directed by Javi Zubizarreta, 45 minutes, color,

in Euskara with English Subtitles.

The BEO will host a meet and greet reception before the screening (wine & cheese). To attend, please RSVP to Nicole Sorhondo at Info@BasqueEd.org

Presented by director Javi Zubizarreta

Javi Zubizarreta

Growing up, I was immersed in the tales, the tastes, and the language of Euskadi – splitting time between the vibrant Basque community in Boise and the Basque Country overseas. As a filmmaker, I strive to communicate this Basque heritage into films that are not only unique but uniquely Basque.

In 2010, I received the Princess Grace Undergraduate Film Scholarship and Cary Grant Award to make Zuretzako, my largest project to date. With the film, I hope to give thanks and recognition to the many family and friends who made me the filmmaker I am today. My own father and brother star in the lead roles, helping to tell a story of sacrifice and gratitude, the gifts of family and the work of our forefathers.

In 2009, I co-directed the documentary Artzainak: Shepherds and Sheep, about modern-day shepherds in Idaho. The film has since aired on the Basque television station EiTB in addition to festivals in Spain, France, Ireland, New Zealand, the Czech Republic and other countries.


Peloata Vasca	Burgos Trial	Death of Mikel	Running out of Time